Bibliography and Reading List

Research methodologies

Bennett, A. (2006). Design studies. New York: Princeton Architectural Press, pp.130-146.


Visual Methodologies

Barthes, R. (1991). Mythologies. 25th ed. New York: The Noonday Press.

Rose, G. (2001). Visual Methodologies. 1st ed. London: SAGE Publications.

Drucker, J. (2006). Quantum leap: beyond literal materiality. In: M. Bierut, W. Drentel and S. Heller, ed., Looking Closer 5. New York: Allworth Press.

 Avgerinou, M.D. (2007, Spring). Towards a visual literacy index. Journal of Visual Literacy 27(1) 29-46.

Avgerinou, M.D. (2001). Developing a visual literacy index. (Chapter 5 of unpublished doctoral dissertation). University of Bath, UK.

Avgerinou, M.D., & Pettersson, R. (2011). Toward a cohesive theory of visual literacy. Journal of Visual Literacy 30(2), 1-19.

Callow, J. (2008). Show me: Principles for assessing students’ visual literacy. The Reading Teacher 61(8), 616-626. doi: 10.1598/RT.61.8.3


Digital Preservation and Curation

Allyn, N., Aubitz, S. and Stern, G. (1987). Using Archival Materials Effectively in Museum Exhibitions. The American Archivist, 50(3), pp.402-404.

Clemson, H. G. (2014) Trailfinders—curating an interactive city promenade experience with mobile phones, Digital Creativity, 25:4, 330-342, DOI: 10.1080/14626268.2014.904362

Constantopoulos, P., & Dallas C. (2008). Aspects of a digital curation agenda for cultural heritage. 2008 IEEE International Conference on Distributed Human- Machine Systems. Athens, Greece: IEEE.

F. Lavoie, Brian. (2004). The Open Archival Information System Reference Model: Introductory Guide. Microform and Imaging Review. 33. 68-81. 10.1515/MFIR.2004.68.

Hermann, G. (1999). Exploring narrative: telling stories and making connections. Museums and the Web 99, New Orelans, USA

Higgins, S. (2007). The DCC curation lifecycle model. Proceedings of the 8th ACM/IEEE-CS joint conference on Digital libraries. Pittsburgh PA, PA, USA,pp. 453-453.

Hooper-Greenhill, E. (2000). Museums and the Interpretation of Visual Culture. London: Routledge

Proctor, N. (2010). Digital: Museum as Platform, Curator as Champion, in the Age of Social Media. Curator: The Museum Journal, 53(1), pp.35-43.

Yeung, T.A., Greenberg, S., & Carpendale, M.S. (2008). Preservation of Art in the Digital Realm. iPRES.

Groys, B. (2018). 2018. 1st ed. London, New York: Verso.

Moss, S. (2018). A to Z of Wagner: G is for Gesamtkunstwerk. [online] the Guardian. Available at: https://www.theguardian.com/music/musicblog/2013/apr/18/a-z-wagner-gesamtkunstwerk [Accessed 22 Aug. 2018].

Wolff, A. & Mulholland, P. (2012). QrAte: Historical Learning through a Curatorial Inquiry Task Using Web Resources, 2012 IEEE 12th International Conference on Advanced Learning Technologies (ICALT), vol., no., pp.468-472

Bergande, W. (2014) "The creative destruction of the total work of art. From Hegel to Wagner and beyond", in: Ruhl (Ed.): The death and life of the total work of art, Berlin: Jovis,

 


Others

Kardinata, H. (2016). Desain grafis Indonesia dalam pusaran desain grafis dunia. 1st ed. Jakarta: DGI Press.

BEKRAF, B. (2017). Data Statistik dan Hasil Survei EKONOMI KREATIF: Kerjasama Badan Ekonomi Kreatif dan Badan Pusat Statistik. [online] Bekraf.go.id. Available at: http://www.bekraf.go.id/profil [Accessed 7 May 2018].

Zhuang, J. (2016). Saving Indonesia’s Graphic Design History Before It’s Lost Forever. [online] Eye on Design. Available at: https://eyeondesign.aiga.org/saving-indonesias-graphic-design-history-before-its-lost-forever/ [Accessed 12 Aug. 2018].